In Praesentia
Niels Trannois with Félicia Atkinson, Sylvia Sleigh, Quintana E. and Polina Moroz.

“Cracks in the Pleasuredome,” metal, oil paint, porcelain, paper, 2022

“Cracks in the Pleasuredome” metal, oil paint, porcelain, paper, 2022

“La mue (singe est nu),” porcelain, oil paint, 2017-2022

Quintana E. “Glory from Above,” wood, paper, oiled paper, porcelain, 2022

Quintana E. “Glory from Above,” wood, paper, oiled paper, porcelain, 2022


Polina Moroz, “Maremata Extended,” “Maremata” lamp, oxidized bronze, 2021
silicone and paper, 2022

From left to right:
“Furlow, the Heire,” oil paint on engraved porcelain, mounted on Plexiglas, 2022
“Moirée, la surface (undercover),” oil paint, neodymium magnets, and metal on serigraphic silk over aluminum, under a transparent tarp, 2016-2022

Quintana E. “Lucky Charms,”
cables, paper, engraved porcelain, neodymium magnets
M62 Cubic Chair by RADBOUD VAN BEEKUM, pine needles from Marseille and Majorca Manufactum weekender bag

“From Verizon to Suricats” (fragment), aluminum, oil paint, 2021

Quintana E. “Lucky Charms”
cables, paper, engraved porcelain, neodymium magnets
M62 Cubic Chair by RADBOUD VAN BEEKUM pine needles from Marseille and Majorca Manufactum weekender bag

Sylvia Sleigh, “Pool in Florida,” painting, 1962
“Distordue, l’aura,” oil paint on engraved porcelain, 2022

“Pan Alpina (Come Walk for Me),” fabric print, porcelain, oil paint, Plexiglas, MDF, 2022