Aurélie Pétrel set up her camera in Cluses, France, at Apimontage, an industrial subcontracting business that is very much involved in the social and solidarity economy, notably employing workers from vocational rehabilitation programs. Pétrel regularly photographed the gestures made in the course of their work by employees who monitored and verified the pieces being produced. From these images, which she calls latent, the artist fashioned displays and photographic scores, as it were, for La Villa du Parc’s exhibition space and the Art & Industrie show. The artist’s work was later exhibited at the Cluses plant.